Vol. 27 (2021)

Artículos

Carolina Andrea Valenzuela Matus, Daniela Silva jara
14
A souvenir Mummy. Reflections on the private collecting in Chile from the case of the Egyptian Collection of Pedro del Río Zañartu (XIX Century and beginning of XX Century)
https://doi.org/10.22352/SAUSTRAL202127014
PDF (Español (España))
Luis Alegría Licuime, Felipe Delado Torres
9
Networks and heritage practices in Benjamín Vicuña Mackenna. The case of the colonial exhibition, Chile
https://doi.org/10.22352/SAUSTRAL202127009
PDF (Español (España))
Benjamin Ballester
3
Heroic opera of two mummies from Chiuchiu, by Aquinas Ried/Reid: Dossier Patrimonio, arte y política. Producción simbólica y prácticas patrimoniales y de representación
https://doi.org/10.22352/SAUSTRAL202127003
PDF (Español (España))
Javiera Bustamante Danilo, Ignacia Luco Gotia, Oscar Olivares, Miguel Ortiz, Damián Rosenmann
10
Heritage antipodes in current Chile. Collective and institutional action in protected heritage: Acción colectiva e institucional en el patrimonio protegido
https://doi.org/10.22352/SAUSTRAL202127010
PDF (Español (España))
Cleyton Cortés Ferreira
4
Creative solutions in the management of intangible cultural heritage: : a case analysis of the UNESCO Good Safeguarding Practices in South America
https://doi.org/10.22352/SAUSTRAL202127004
PDF (Español (España))
Paloma Vargas
15
The cueca alone: Demonstration and place of memories in the groups of families of DD.DD and #NiUnaMenos
https://doi.org/10.22352/SAUSTRAL202127015
PDF (Español (España))
Cristian Urzúa Aburto
6
The The sanctuaries of the homeland: The historical representations of Independence in Chilean museums
https://doi.org/10.22352/SAUSTRAL202127006
PDF (Español (España))
Ximena Gallardo Saint-Jean
12
Realism in Pedro Lira’s Paintings. Los Canteros (ca. 1878) and its Critical Reception
https://doi.org/10.22352/SAUSTRAL202127012
PDF (Español (España))
Graciela Ciselli, Anahí Banegas, Leticia Curti
16
Dialogues between heritage appropriation, interest groups and scientific production: comparative analysis of three coastal towns in Central Patagonia (1989-2021)
https://doi.org/10.22352/SAUSTRAL202127016
PDF (Español (España))
Francisco Manzano Esperguel, Daniel Rebolledo Hernández, Omar Sagredo Mazuela
17
Ethno-theater and human rights. An artistic representation of the social-environmental conflicts existing at Petorca and Puchuncaví-Quintero, through Villa Grimaldi’s theater play “Zona de Promesa” (“A Zone of Promise”)
https://doi.org/10.22352/SAUSTRAL202127017
PDF (Español (España))
Marco Valencia
13
Funeral heritage management. Determining factors in the case of the General Cemetery of Santiago de Chile
https://doi.org/10.22352/SAUSTRAL202127013
PDF (Español (España))
Cristian Vargas Paillahueque, Felipe Quijada Aravena, Constanza Tobar Tapia, Carolina Parra Santana
5
From "araucanian antiquity" to "artistic culture": discourses about the Mapuche silverwork collection of the Museo de Arte Popular Americano (1893-1946)
https://doi.org/10.22352/SAUSTRAL202127005
PDF (Español (España))
Stella Salinero, Mónica Salinero Rates
8
he Santa Lucía Underpass: integrated art heritage and democratizing practices of the 1960s-1970she Integrated Design Workshop, Santa Lucía underpass, Collaborative work, urban Art.
https://doi.org/10.22352/SAUSTRAL202127008
PDF (Español (España))