Abstract
Ricardo Costa is a writer which is set himself by a reflective poetic attitude towards topics such as the meaning of inhabiting the Patagonia and the subject’s nature in the way they’re both related to the landscape. In this way, in his text Veda Negra, he explores the breadth of poetic language, moving away from the common conceptions regarding to Patagonia. Furthermore, it is possible to observe in his texts a depletion of the traditional significant poetry, along with the possibility of thinking on founding a point of view, to emphasize other forms of Patagonia’s habitability. Furthermore, MundoCrudo (Patagonia Satori) goes deeper into the concerns of the previous text, using the contemplative experimentation through the satori (enlightenment). The author explores the dynamics of language, as well as the subjectivities’ set and the effects of living in Patagonia. During this experience, the text’s subject is reunited with a memory that deploys rather silence than answers, plus a language incapable of apprehending the reality in a zone where violence, as well as floating villages and climatic adversity; overflows all those categories given about Patagonia (inhabiting).